MARGARET QUALLEY

In Coralie Fargeat's new feminist terror film The Substance, hazardous popular appeal requirements are actually the actual monsters. They (women objectification, the disposal of "the outdated," the expansion of an industry improved body alteration) feed a creature of a cycle that leads Demi Moore's fading television personality character Elisabeth

In Coralie Fargeat's brand-new feminist scary motion picture The Substance, damaging societal elegance criteria are the real creatures. They (female objectification, the fingertip of "the old," the spread of a business built on physical body adjustment) nourish a monster of a cycle that leads Demi Moore's fading television personality character Eli